Shi Jing
School
School of Humanities and Arts
Professional Title
Associate professor
Discipline
中国当代文学
Contact Information
13512810908
shijingmailbox@163.com
Education Background
- 博士研究生| 北京大学| 中国现当代文学
Research Interests
- 中国现当代文学、非物质文化遗产
Positions & Employments
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中文系 | 人文艺术学院 | 无 | 副教授
Academic Achievements
- Papers
- [1] 12)Shi Jing. The Holy Day, Celebration, Ceremony—the National Day in 1949-1966 Films. Yuehaifeng. 2011(6).
- [2] 11)Shi Jing. Repetition and Explanation—Liu Zhenyun’s Novel A Word for Ten Thousand. Mountain Flowers. 2010 (8): 81-83.
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- [3] 10)Shi Jing. The Construction of Minority Films and National Identity. The 21st Century. 2010.
- [4] 9)Shi Jing. Sexually Transmitted Diseases· Brothel· Prison, the Regional Space, Body Image and National Identity in Beijing of Early Founding of China. Journal of Regional Culture and Literature. 2012(7).
- [5] 23)Shi Jing. The Inheritance and Reconstruction of the Renaissance—Through the Mazu Ceremony. Forum on Folk Culture. 2013 (2): 75-81.
- [6] 16)Shi Jing. Investigation on Yongyin Dharma Drum Association in Hexi District, Tianjin in Non-Posthumous Era. Forum of Folk Culture. 2012 (2):80-87.
- [7] 15)Shi Jing. Study of 1958-1959 “Workers, Peasants and Soldiers” Series. Modern Chinese Literature Criticism. 2012(3).
- [8] 12)Shi Jing. The Holy Day, Celebration, Ceremony—the National Day in 1949-1966 Films. Yuehaifeng. 2011(6).
- [9] 1)Shi Jing. The Body and Revenge in the Revolutionary History Movies. Art of Film. 2012(1): 124-130.
- [10] 13)Shi Jing. The New Trend of the 21st New Poetry. Beijing Literature. 2012 (3):121-122.
- [11] 28)Shi Jing. Family Property: The Core Part of Nostalgia. Collective Papers of the Project of Rescuing Chinese Folk Cultural Heritage. 2015.
- [12] 8)Shi Jing. The Local Culture to Say Goodbye— Comment on the “Forcing Writing” Style in Qinqiang Opera. Modern Chinese Literature Criticism. 2014(1): 157-160.
- [13] 13)Shi Jing. The New Trend of the 21st New Poetry. Beijing Literature. 2012 (3):121-122.
- [14] 18)Shi Jing. The Inheritance and Protection of New Year’s Painting in Non-Posthumous Era. Value of New Year’s Painting. 2012.
- [15] 11)Shi Jing. Repetition and Explanation—Liu Zhenyun’s Novel A Word for Ten Thousand. Mountain Flowers. 2010 (8): 81-83.
- [16] 22)Shi Jing. Mazu Belief of Tianjin Viewed from Traditional Woodblock Prints. Journal of Putian University. 2013, 20 (3): 1-6.
- [17] 17)Shi Jing. Investigation on New Year Wood-Block Painting of Xiaoyang Village, Xin Xiang. New Year’s Painting Studies. 2012.
- [18] 7)Shi Jing. The Digestion of Divine and Change of Knowledge—Comment on Zhangzhe’s Taoli. Yangtze River Series. 2014(5): 43-46.
- [19] 14)Shi Jing. From Novel to Film—On the Film "White Deer". Forum of Arts. 2013(1).
- [20] 20)Shi Jing. The Game Evolution of Standardization and Localization of Tianjin Mazu Custom. Qilu Realm of Arts. 2013 (3): 9-14.
- [21] 19)Shi Jing. The Silkworm New Year’s Painting and Silkworm Culture Protection in "Non-Posthumous" Era. Collective Papers of Chinese Silkworm and Silk Weaving Folk Culture Forum. 2013.
- [22] 26)Shi Jing. Trace of Construction and Deconstruction —Comment on “Houhuilu”. Criticism and Creation. 2006 (2): 73-75.
- [23] 6)Shi Jing. New China · Women · Sports Films. Art of Film. 2008(4): 120-122.
- [24] 5)Shi Jing. Study of 1947-1952 “Workers, Peasants and Soldiers” Series. Modern Chinese Literature Studies. 2008(6): 832-841.
- [25] 24)Shi Jing. The National Ideology of Triangle Love Movie in the 1950s. Yuehaifeng. 2008 (2):65-67.
- [26] 27)Shi Jing. Knowledge Pedigree and Critical Strategies of “Post 80s”. Creation and Criticism. 2015 (10): 16-19.
- [27] 26)Shi Jing. Trace of Construction and Deconstruction —Comment on “Houhuilu”. Criticism and Creation. 2006 (2): 73-75.
- [28] 16)Shi Jing. Investigation on Yongyin Dharma Drum Association in Hexi District, Tianjin in Non-Posthumous Era. Forum of Folk Culture. 2012 (2):80-87.
- [29] 25)Shi Jing. Existence as a Supra-discourse: The Discourse of Criticism for "Socialist People of a New Type" Accompanying "Trauma Literature". Journal of Hainan Normal University (Social Sciences). 2007, 20 (1): 30-34.
- [30] 23)Shi Jing. The Inheritance and Reconstruction of the Renaissance—Through the Mazu Ceremony. Forum on Folk Culture. 2013 (2): 75-81.
- [31] 15)Shi Jing. Study of 1958-1959 “Workers, Peasants and Soldiers” Series. Modern Chinese Literature Criticism. 2012(3).
- [32] 3)Shi Jing. The Creation and Presentation of Space in Movies. Contemporary Movies. 2013(11): 57-61.
- [33] 30)Shi Jing. The Practice of Praying for Rain and Cultural Inheritance—Taking Daliufen Village , Jinghai County as an Example. Qilu Realm of Arts. 2016 (5): 8-12.
- [34] 29)Shi Jing. Discussion of the Communality of Chinese Inheritors Oral History—Taking Tianjin Folk Meeting as an Example. Cultural Heritage. 2016 (4): 74-80.
- [35] 28)Shi Jing. Family Property: The Core Part of Nostalgia. Collective Papers of the Project of Rescuing Chinese Folk Cultural Heritage. 2015.
- [36] 22)Shi Jing. Mazu Belief of Tianjin Viewed from Traditional Woodblock Prints. Journal of Putian University. 2013, 20 (3): 1-6.
- [37] 17)Shi Jing. Investigation on New Year Wood-Block Painting of Xiaoyang Village, Xin Xiang. New Year’s Painting Studies. 2012.
- [38] 29)Shi Jing. Discussion of the Communality of Chinese Inheritors Oral History—Taking Tianjin Folk Meeting as an Example. Cultural Heritage. 2016 (4): 74-80.
- [39] 25)Shi Jing. Existence as a Supra-discourse: The Discourse of Criticism for "Socialist People of a New Type" Accompanying "Trauma Literature". Journal of Hainan Normal University (Social Sciences). 2007, 20 (1): 30-34.
- [40] 27)Shi Jing. Knowledge Pedigree and Critical Strategies of “Post 80s”. Creation and Criticism. 2015 (10): 16-19.
- [41] 9)Shi Jing. Sexually Transmitted Diseases· Brothel· Prison, the Regional Space, Body Image and National Identity in Beijing of Early Founding of China. Journal of Regional Culture and Literature. 2012(7).
- [42] 4)Shi Jing. Modem Publishing House and the 1930’s New Literature. Modern Chinese Literature Studies. 2006(6): 16-40.
- [43] 4)Shi Jing. Modem Publishing House and the 1930’s New Literature. Modern Chinese Literature Studies. 2006(6): 16-40.
- [44] 6)Shi Jing. New China · Women · Sports Films. Art of Film. 2008(4): 120-122.
- [45] 5)Shi Jing. Study of 1947-1952 “Workers, Peasants and Soldiers” Series. Modern Chinese Literature Studies. 2008(6): 832-841.
- [46] 3)Shi Jing. The Creation and Presentation of Space in Movies. Contemporary Movies. 2013(11): 57-61.
- [47] 8)Shi Jing. The Local Culture to Say Goodbye— Comment on the “Forcing Writing” Style in Qinqiang Opera. Modern Chinese Literature Criticism. 2014(1): 157-160.
- [48] 19)Shi Jing. The Silkworm New Year’s Painting and Silkworm Culture Protection in "Non-Posthumous" Era. Collective Papers of Chinese Silkworm and Silk Weaving Folk Culture Forum. 2013.
- [49] 10)Shi Jing. The Construction of Minority Films and National Identity. The 21st Century. 2010.
- [50] 2)Shi Jing. The Revival of Religion in Postmodern Thought and its Enlightenment to Chinese Contemporary Culture. Social Science Research. 2013 (3): 135-139.
- [51] 2)Shi Jing. The Revival of Religion in Postmodern Thought and its Enlightenment to Chinese Contemporary Culture. Social Science Research. 2013 (3): 135-139.
- [52] 20)Shi Jing. The Game Evolution of Standardization and Localization of Tianjin Mazu Custom. Qilu Realm of Arts. 2013 (3): 9-14.
- [53] 18)Shi Jing. The Inheritance and Protection of New Year’s Painting in Non-Posthumous Era. Value of New Year’s Painting. 2012.
- [54] 14)Shi Jing. From Novel to Film—On the Film "White Deer". Forum of Arts. 2013(1).
- [55] 1)Shi Jing. The Body and Revenge in the Revolutionary History Movies. Art of Film. 2012(1): 124-130.
- [56] 21)Shi Jing. The Literature of the Time and the Time of Literature. New Horizon of Literature. 2013(9).
- [57] 21)Shi Jing. The Literature of the Time and the Time of Literature. New Horizon of Literature. 2013(9).
- [58] 24)Shi Jing. The National Ideology of Triangle Love Movie in the 1950s. Yuehaifeng. 2008 (2):65-67.
- [59] 7)Shi Jing. The Digestion of Divine and Change of Knowledge—Comment on Zhangzhe’s Taoli. Yangtze River Series. 2014(5): 43-46.
- [60] 30)Shi Jing. The Practice of Praying for Rain and Cultural Inheritance—Taking Daliufen Village , Jinghai County as an Example. Qilu Realm of Arts. 2016 (5): 8-12.
- Books
- [1] 4)Tianjin Huanghui Cultural Archives Collection: West Pier Bairenjing Yangko Dance Association. Shandong Education Press, 2013.
- [2] 10)China’s Cultural Development over 30 Years since the Reform and Opening Up. Shanghai University Press, 2008.
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- [3] 9)60 Years of New China, Literature Development Volume. Chapter Four. Beijing Press, 2009.
- [4] 8)Tianjin Huanghui Cultural Archives Collection: Gegu Baonian Association. Shandong Education Press, 2014.
- [5] 7)Tianjin Huanghui Cultural Archives Collection: Guajiasi Qingyin Dharma Drum Imperial Chariot Association. Shandong Education Press, 2013.
- [6] 6)Tianjin Huanghui Cultural Archives Collection: Yangjiazhuang Yongyin Dharma Drum Association. Shandong Education Press, 2013.
- [7] 5)Tianjin Huanghui Cultural Archives Collection: Denggan Meeting of Daliufen Village, Toutai Town, Jinghai County. Shandong Education Press, 2013.
- [8] 3)Chinese Woodblock Picture Artists' Oral History. Tianjin University Press, 2011.
- [9] 2)Transmutation and Inheritance—Study on Tianjin Huanghui in the Transformation of Modern Society. Sino-Culture Press, 2016.
- [10] 1)The Formation Mechanism of the Subject—the Body Language Inside and Outside the 1949-1966 Films. Peking University Press, 2014.
- [11] 10)China’s Cultural Development over 30 Years since the Reform and Opening Up. Shanghai University Press, 2008.
- [12] 9)60 Years of New China, Literature Development Volume. Chapter Four. Beijing Press, 2009.
- [13] 8)Tianjin Huanghui Cultural Archives Collection: Gegu Baonian Association. Shandong Education Press, 2014.
- [14] 7)Tianjin Huanghui Cultural Archives Collection: Guajiasi Qingyin Dharma Drum Imperial Chariot Association. Shandong Education Press, 2013.
- [15] 6)Tianjin Huanghui Cultural Archives Collection: Yangjiazhuang Yongyin Dharma Drum Association. Shandong Education Press, 2013.
- [16] 5)Tianjin Huanghui Cultural Archives Collection: Denggan Meeting of Daliufen Village, Toutai Town, Jinghai County. Shandong Education Press, 2013.
- [17] 4)Tianjin Huanghui Cultural Archives Collection: West Pier Bairenjing Yangko Dance Association. Shandong Education Press, 2013.
- [18] 3)Chinese Woodblock Picture Artists' Oral History. Tianjin University Press, 2011.
- [19] 2)Transmutation and Inheritance—Study on Tianjin Huanghui in the Transformation of Modern Society. Sino-Culture Press, 2016.
- [20] 1)The Formation Mechanism of the Subject—the Body Language Inside and Outside the 1949-1966 Films. Peking University Press, 2014.