勾艳军
- 教师名称：勾艳军
- 教师拼音名称：Gou Yanjun
- 性别：女
基本信息
研究方向
获奖情况
论文成果
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- 6)Gou Yanjun. The Confucian Culture in the Eyes of Late Modern Japanese Merchants. China Society of Japanese Literature Studies 2010 Collected Papers. 2010: 275-280..2019
- 7)Gou Yanjun. Effect of Buddhist Awareness on Ancient Japanese Fictions and Culture Cause. Journal of Studies. 2011, (04):68-73..2019
- 8)Gou Yanjun. Buddhist Consciousness and Aesthetics of Japanese Ancient Drama. Chinese Studies. 2010..2019
- 5)Japanese Modern Floating World Novel Concept. Foreign Languages Research. 2008, 112(6): 102-107..2019
- 4)Gou Yanjun. The Influence of the Literary View “Admonishment to Convey Truth” on the History of Chinese and Japanese Literary Exchange. Outstanding Collective Papers of the Eighth Annual of Tianjin Federation of Social Science. 2012..2019
- 11)Gou Yanjun. The Modern Color of the Aesthetic of “Mono no aware” in Japan: the Game between “Duty” and“Human Warmth”. Foreign Language Research in Northeast Asia. 2015,11(04): 84-88..2019
- 3)Gou Yanjun. The Origin of the Weirdness in Japanese Modern Fiction: With Respect to Chinese Literature. Journal of PLA University of Foreign Languages. 2009, 32(5): 90-93+112..2019
- 10)Gou Yanjun. Prefaces of Kyokutebakin’s Novels and Li Yu’s View on Dramatics- novels. Japanese Studies Forum. 2006, (02):32-38..2019
- 9)Gou Yanjun. Japanese Modern Drama for the Novels of Chinese Literature Ideological Origins. Japanese Research. 2012, 26(2): 55-60..2019
- 1)Gou Yanjun. Kyokutebakin’s acceptance and criticism to Jin Shengtan’s Commentary on The Water Margin. Comparative Literature in China. 2007, (01):156-168..2019
- 5)Japanese Modern Floating World Novel Concept. Foreign Languages Research. 2008, 112(6): 102-107..2019
- 4)Gou Yanjun. The Influence of the Literary View “Admonishment to Convey Truth” on the History of Chinese and Japanese Literary Exchange. Outstanding Collective Papers of the Eighth Annual of Tianjin Federation of Social Science. 2012..2019
- 3)Gou Yanjun. The Origin of the Weirdness in Japanese Modern Fiction: With Respect to Chinese Literature. Journal of PLA University of Foreign Languages. 2009, 32(5): 90-93+112..2019
- 6)Gou Yanjun. The Confucian Culture in the Eyes of Late Modern Japanese Merchants. China Society of Japanese Literature Studies 2010 Collected Papers. 2010: 275-280..2019
- 2)Gou Yanjun. Comment on Ming-Qing Fictions of Japan Modern Novelists. The Journal of Ming-Qing Fiction Studies. 2007, (03): 164-176+ 122..2019
- 7)Gou Yanjun. Effect of Buddhist Awareness on Ancient Japanese Fictions and Culture Cause. Journal of Studies. 2011, (04):68-73..2019
- 8)Gou Yanjun. Buddhist Consciousness and Aesthetics of Japanese Ancient Drama. Chinese Studies. 2010..2019
- 12)Gou Yanjun. Japanese Modern Novelist Kyokutebakin’s Commentary on Journey to the West (sequel). Outstanding Collective Papers of the Tenth Annual of Tianjin Federation of Social Science. 2014. 201-206..2019
- 11)Gou Yanjun. The Modern Color of the Aesthetic of “Mono no aware” in Japan: the Game between “Duty” and“Human Warmth”. Foreign Language Research in Northeast Asia. 2015,11(04): 84-88..2019
- 10)Gou Yanjun. Prefaces of Kyokutebakin’s Novels and Li Yu’s View on Dramatics- novels. Japanese Studies Forum. 2006, (02):32-38..2019
- 1)Gou Yanjun. Kyokutebakin’s acceptance and criticism to Jin Shengtan’s Commentary on The Water Margin. Comparative Literature in China. 2007, (01):156-168..2019
- 9)Gou Yanjun. Japanese Modern Drama for the Novels of Chinese Literature Ideological Origins. Japanese Research. 2012, 26(2): 55-60..2019
- 12)Gou Yanjun. Japanese Modern Novelist Kyokutebakin’s Commentary on Journey to the West (sequel). Outstanding Collective Papers of the Tenth Annual of Tianjin Federation of Social Science. 2014. 201-206..2019
- 2)Gou Yanjun. Comment on Ming-Qing Fictions of Japan Modern Novelists. The Journal of Ming-Qing Fiction Studies. 2007, (03): 164-176+ 122..2019